urbanismo

 The sounds of music rising from modified jalopy cars, as you walk through the old slums, is dramatically changed over the years. Even in my own personal history, I witnessed a noticeable differentiation. When I was in middle school, I was working as an ironer in a garment workshop. There was always an arabesque music in background that cannot be suppressed with the overlock and sewing machines and the high-pitched sound of the iron-boiler. While starting the day amid the smells of dark-brewed tea, cigarettes and chemical textile materials is something that absorbs enough life energy, both the melody and the words of the music playing in the background would push people into a deep pessimism. When I left the workshop at the end of the day and breathed the fresh air, I felt like I was born again. While I was sleeping at night, the sounds I had heard all day hung in my ears as a hum. When I talked to one of my friend with whom I was working at that time, he said that the music was go...

The use of loudspeakers placed on mosque minarets to amplify the call to prayer in Turkish cities has led to debates about their place in urban life, mostly centered around aesthetic concerns. However, it can be argued that loudspeakers, which have been part of the public life of Muslim-majority society since the 1930s, represent more than an aesthetic issue. Structural (historical and cultural) barriers have blurred the public discourse on the issue in Turkey, particularly the connection between the use of loudspeakers and social transformations. This phenomenon, which has received little attention in the academic literature, will be analyzed through the experiences of Turkey and Singapore in order to provide a framework for future research and explore the origins of the ongoing debate. *** In recent years, I have seen many people around me complaining about the loudspeaker broadcast of the call to prayer from mosques near their homes for different reasons. In addition to comments tha...